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These are rare, and the Ob G Reissue solid flametops are even rarer.The Orville by Gibson Les Paul Standard series (LPS) 1988-1993, do not have fret edge binding and have "Standard" on the truss rod cover,.excepting pickups, are otherwise identical to the Ob G reissues. 1/4" diameter nylon shaft, 3/8" bushing, solder lugs.CTS was the original OEM supplier for vintage Fender pots. The brightness capacitor is installed from the center terminal to the end terminal in this application. Used on Fender amps from the 1980s with control functions on some of the control pots, such as the Princeton Reverb and Concert. a replacement for the master volume control in the 70s silverface amps, as the switch on those needs to be a DPDT. Special manufacture, to replace the treble pots on certain Fender 1961-1963 Brownface models, such as Bassman 6G6, Concert 6G12A, Pro 6G5A, Showman 6G14, Super 6G4A, Tremolux 6G9, Vibrolux 6G11, and the Vibroverb 6G14. For a downloadable pot cross-reference for Fender tweed models, click here. Replacement for the volume control with AC switch on the 5C1 Champ, 5E1 Champ, 5F1 Champ, 5B3 Deluxe.Peavey is a registered trademark of Peavey Electronics Corporation.Marshall is a registered trademark of Marshall Amplification Plc.BASS AND TREBLE CONTROLS, 65 REISSUE MODELS, 68 CUSTOM MODELS: DELUXE / PRINCETON / PRO / SUPER / TWIN. Note: For single-gang pots only - will not fit dual 16mm pots.

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1/4" diameter solid metal shaft, 3/8" bushing, solder lugs. CTS was the original OEM supplier for vintage Fender pots. Exact fit for hand-wired American made amplifiers such as vintage Fender and others. 1/4" diameter shaft, 3/8" bushing, solder lugs, with push-pull SPST (two terminal) switch.

Volume), Bassman 60 (Volume, Bass, Mid, Treble) And Similar Amps. versions (2000-present) of Deluxe Reverb, Princeton Reverb, Pro Reverb, Super Reverb and Twin Reverb.

Also found in various versions of the Blues Deville, Blues Deluxe, Hot Rod Deville, Hot Rod Deluxe.

Most of the best Japanese replicas, excluding Tokai, were built between 19 in the Fugi-gen Gakki factory by Japanese luthiers, these include the "lawsuit" guitars and forced Fender and Gibson to license this factory to produce their branded products in Japan.

In many cases, these Japanese Fenders and Gibsons are of higher build quality, finish and tone than the US made versions.