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The film's opening scene sets expectations high with its slick, tight camera movement, but unfortunately the rest of the film is plagued with overly tight, shaky camera work that makes the action hard to appreciate.

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In his best films, "The Killer," "A Better Tomorrow," and, "Hard Boiled," he briefly indulges in moments of excess and melodrama that are reined in by well written characters and stories that deal with universal themes, such as the conflict between faith and the needs of reality, or the issues with loving one's family in spite of their sometimes heinous actions.

One farmhouse gunfight sequence in the middle of the film is as close as anything Woo has done since "Hard Boiled" to capturing his classic style, with expertly choreographed fighting, excellent use of editing and slow-motion, and inventive use of the space and setting briefly create a classic John Woo bullet-ballet of yore.

However, the rest of the action in the film doesn't hold up quite as well.

Mia, a teenager who was working on reception that night, is the only witness. See full summary » The Mediterranean summer: blue sea, blazing sun...250 kg of gold stolen by Rhino and his gang!

They had found the perfect hideout: an abandoned and remote hamlet now taken over by a ...