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Taylor Swift reached that peak before she turned 21. She might be the youngest artist on this list — as you may have heard, she was born in 1989, the year Green Day released their first record.But she's already written two or three careers' worth of keepers.His most recent Number One, "The Monster," features bonkers couplets like "Straw into gold chump, I will spin/Rumpelstiltskin in a haystack/Maybe I need a straight jacket, face facts." Like his character in the 2002 biopic 8 Mile, Eminem honed his formidable skills in Detroit rap battles, then polished his rhymes in the studio over springy Dr.Dre tracks that gave him room to freak out as agilely and aggressively as he liked.But he become the American punk-rock poet laureate of the Eighties, reeling off shabbily rousing underdog anthems like "I Will Dare" and "Bastards of Young," as well as beautifully afflicted songs like "Swinging Party" and "Here Comes a Regular." A high-school dropout, Westerberg spoke for a nation of smart, wiseacre misfits, paving the way for Green Day and Nirvana, both of which were led by avowed Replacements fans."Westerberg could be barreling along and do 'Tommy Gets His Tonsils Out' or 'Gary's Got a Boner,' and then he could slide into 'Unsatisfied' or 'Sixteen Blue,' says Craig Finn of the Hold Steady.Benny and Björn had already been a songwriting duo for six years when they teamed up with their girlfriends Anni-Frid Lyngstad and Agnetha Fältskog — who were both Swedish pop stars already — to form Abba.The two of them were hardcore about songwriting: they bought a cottage on the island of Viggsö where they could focus on making their music and lyrics as catchy as humanly possible.

"At certain tempo, the way Elvis sang was the result of copying Otis' demos," said Blackwell's friend Doc Pomus. Many singer-songwriters reach the point where they have too many great tunes to fit into a live show.

But when they took a stab at disco with 1975's "Jive Talkin'," their career kicked into an even higher gear.

Besides their own hits (including a string of six consecutive Number Ones), the brothers wrote the title song for Grease, Kenny Rogers and Dolly Parton's "Islands in the Stream," Barbra Streisand's "Guilty," and Destiny's Child's "Emotion." "We see ourselves first and foremost as composers, writing for ourselves and other people," Robin Gibb said.

Maybe it's his family's blue-collar background or the years he spent delivering mail before becoming a full-time musician.

But John Prine has always had the innate ability to emphatically capture the highs, lows and occasional laughs of everyday Americans and fringe characters: the drug-addled vet in "Sam Stone," the lonely older folks in "Angel from Montgomery" and "Hello in There." One of a group of early Seventies singer-songwriters to get pegged with the unfortunate tag "New Dylan," Prine has written poignant songs of romantic despair ("Speed of the Sound of Loneliness"), songs that sound like centuries-old mountain ballads ("Paradise") and ribald comic masterpieces aimed at advice columns and various crazies.