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The ensemble has very fine balance, flexibility and resilience, and its relatively lean tonal fabric allows for subtle dynamic gradations and transparent detailing.

Most important, the group shows individuality in performing standard repertoire.

But that was only five years after the last player, violinist Sergei Lomovsky, joined the ensemble.

Now, two years later, an even more uniquely-compelling range of expression and intimacy emerges... The Vancouver Symphony Orchestra shone very brightly in a concert that featured the return of Romanian conductor Cristian Măcelaru with much-loved Canadian pianist Angela Cheng.

Măcelaru again brought along the music of Enescu and Dvořák, and his poise, understanding of rustic colour, and gravitas prompted the orchestra to rise to the occasion, performing with both strength and sensitivity.

The highlight of the program was undeniably the performance of Dvořák’s Symphony No 5.

Under Rostislav Dubinsky in the 1960s, there was a biting sharpness wedded to elegance and strong emotional readiness; under Mikhail Kopelman in the 1980s, there was comparable depth and perhaps even more virtuosity.

Pacific Opera Victoria presented us with a gripping rendition of the tale.Murray Schafer and Tchaikovsky, Dunbar Ryerson United Church, October 26, 2017.It is always a cause for celebration when a Canadian ensemble wins the Banff International String Quartet Competition, and this seems to be a coming thing: after the St.The orchestra under Timothy Vernon articulated of this complex score with clarity and emotional charge.The whole performance emphasized the lyrical, making for a poignant portrayal of suffering and hope... This was the first appearance this season of Dutch conductor Otto Tausk, who will take over as Music Director of the Vancouver Symphony Orchestra in its centenary year, starting July 2018.Her singing was flawless, clear, well enunciated, strongly projected, and characterful—and her acting was strong.