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Follow her on Twitter at @thehappyhourw HB or check out her website at The Happy Hour With Heather B Kevin is still working in politics, political activism, and writing books.
She taught in rural schools in Scotland for five years before she married.

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Thus, the goal of this research was to analyse how emo youths represented themselves online, and how they used social network sites (SNS).

This included a qualitative analysis of the communication dynamics among Italian emo followers aged 16 to 19 years who use Netlog, an SNS targeted at youths.

Words like “dismissed”, “denounced”, “canonized”, “harmless”, and “buffoons” are key to tracing Italian emo followers’ presence on the Web.

The Web, especially the Italian Web sphere, appear to be spaces for constructing anti–emo representations.

We investigated the way youth use the Web and SNSs as a means of subcultural participation producing self–constructed and reflexive forms of subcultural identity [3].

This aim was addressed within a theoretical framework that considered subculture as: Martin’s formulation of the concept focuses on the modalities of social representation of the social world rather than on efforts to identify and define actual groups of people and then ascribe to them values and practices that are held to be characteristics.

According to Bailey, the “mainstreamers” are those who enjoy everything that emo represents, associating strongly with bands labelled emo even through popular channels such as MTV.

Emo “independents” are loyal to the original mid–eighties intentions of the emo scene in Washington D. They are committed to independent music and see emo as a means of freedom from the corporate dominated music industry.On , an Italian member of the Parliament — Antonio De Poli, UDC Party — suggested in Parliament that the Web site Nonciclopedia ( be shut down, citing that it was encouraging “emo kids” to self–harm.De Poli had in fact mistaken the intent of the Web site which was to parody “emo”.With a focus on both the interactional ‘work’ done by people as they create their social worlds, and similarly, the processes of both researchers’ and media in portraying the particular ‘groups’.” [5].This study’s analysis was undertaken with reference to Internet studies (Silver, 2004; Jones, 1995).This paper analyses how young Italians aged 16 to 19 who identify themselves with emo subculture use social network sites (SNSs) in constructing their identity and social relations.