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And the pain Mc Cracken has suffered since the tragedy inspired his band's latest album IN LOVE AND DEATH - which includes a tune he wrote for his childhood sweetheart two years ago.He says, "I think that Kate's death had a huge impact on the way the record turned out.2010’s was, to my ears, a glorious glitter-bomb of panic and disco, effortlessly mixing Detroit boogie with Weimar cabaret, summertime pop radio with Euroclub stomp.Gerard’s hair was a vibrant red — more Kool-Aid Man than arterial blood — and his new stage style was loose and breezy.He flashed and strutted, naturally assuming the role of dangerous front man whether he had a mic in his hand or not.

/ ’cause I’m gonna string this motherfucker on fire.”) Onstage, assuming they were able to stumble up to it, the pair were complementary as well: two stringy suburban weirdos peddling punk uplift bruised and blackened with mascara and talk of murder.

In the video for “Helena,” a Catholic funeral explodes into a goth Busby Berkeley review. Gerard called his band “an idea,” labeled his fans an army.

From album to album and show to show, MCR reinvented themselves across a multiverse of possibilities: They were soul-reaving vampires exacting revenge, the ghosts of a marching band returned to serenade you home, a gang of outlaw futurists using lasers and jazz hands to free the world from monochrome mediocrity.

I’ve never witnessed such intense fandom, before or since.

Still, the resolutely black-clad supporters seemed skeptical of their beloved band’s slow progression into the light.